Paul Thomas Anderson's deep affinity for music has long been a hallmark of his distinguished career, from his early collaborations with Fiona Apple and Aimee Mann to his ongoing partnership with Radiohead's Jonny Greenwood, whose scores have become synonymous with Anderson's films like "Phantom Thread." Now, Anderson turns his lens to a different kind of musical endeavor, documenting Cameron Winter, the lead singer of the acclaimed band Geese, in a raw and captivating solo concert.
As reported by IndieWire, "Cameron Winter at Carnegie Hall" clocks in at 72 minutes, presenting Winter's December 2023 performance at the iconic venue. Anderson, operating his own Panavision camera, meticulously filmed Winter as he delivered sparse piano arrangements of tracks from his solo album, "Heavy Metal." The result is described as a "stunning arrangement" and a "deeply achey, sincere but never cloyingly earnest concert movie that’s tender to the point of frailty." Co-produced by Benny Safdie, the film also carries a distinct New York aesthetic, reflecting its setting.
Winter, who was 23 at the time of the performance, showcased a compelling dichotomy. While he may appear reserved or even uncomfortable in public settings, his transformation at the piano is electric. Anderson's camera captures Winter's tenorous vocal glissando and nimble fingerwork, creating what IndieWire calls "shiveringly tender folk ballads that echo Harry Nilsson and Van Morrison." Though often compared to artists like Tom Waits and Rufus Wainright, Winter's unique artistry shines through, potentially converting new fans from his more chaotic rock persona with Geese.
Anderson's direction employs a mobile camera rig, which at times glides across the stage, and at others, holds steady on Winter, utilizing the chiaroscuro of stage lights to highlight the singer's expressions. This intimate approach renders the film a "hypnotic" experience, an immersive and deeply felt journey for the viewer. Stripped-down versions of songs like the popular single "$0" gain a more somber quality, while "Love Takes Miles" resonates even more profoundly in its minimalist form. The continuous flow of songs, devoid of typical interstitial elements, enhances the film's immersive quality, making it a powerful and introspective musical document.
Having premiered at the New York Film Festival, "Cameron Winter at Carnegie Hall" is set for a roadshow-style theatrical release by Janus Films starting November 20, with plans for it to eventually join the Criterion Collection. IndieWire lauded the film with an A- grade, cementing its status as a significant entry in the concert film genre, particularly for those who appreciate a more introverted and profound musical experience.
