The news, initially reported by Variety citing sources, places Charli XCX in a surprising role within a film already generating significant buzz. Scorsese's What Happens at Night is an adaptation of Peter Cameron's acclaimed gothic novel, promising a dark and atmospheric narrative.
The film centers on an American married couple who travel to a secluded European town with hopes of adopting a baby. Their journey takes a disquieting turn as they grapple with the complexities of the adoption process and encounter a series of peculiar guests at their hotel, leading to a pervasive sense of unease and dread.
Beyond its intriguing premise, the project is notable for its formidable ensemble cast. Leonardo DiCaprio and Jennifer Lawrence are slated to lead, marking another high-profile collaboration for the duo under Scorsese's direction, following their work together on Don't Look Up (though not a Scorsese film). They will be joined by acclaimed actors Mads Mikkelsen, Patricia Clarkson, and Jared Harris, solidifying a lineup of formidable talent.
Charli XCX's involvement adds an intriguing layer to the film, marking a departure from her primary career in music. While specific details about her cameo role remain under wraps, her presence signals a fascinating crossover. This isn't the first time the worlds of the pop artist and the cinematic maestro have intersected; Scorsese previously appeared alongside musician John Cale and fashion designer Marc Jacobs on the cover of Charli XCX's Music, Fashion, Film album, released in July. Reflecting on that unique experience, John Cale told Rolling Stone, "She said she had an idea to run by me... Next thing, I was on a flight. Ended up in a random kitchen."
Representatives for Charli XCX, Martin Scorsese, Apple, and StudioCanal have not yet responded to requests for comment regarding the casting. Meanwhile, Charli XCX is currently concluding the North American leg of her tour supporting the Music, Fashion, Film album, with her final U.S. performance scheduled for Friday in Las Vegas.
