Over the past year, SETT, a venture capital fund operating under Spain's Ministry for Digital Transformation, has injected €215.6 million ($252.3 million) into local companies. This significant public funding has, in turn, galvanized an additional €230 million ($269.1 million) in private sector co-investment, bringing the total financial injection to over half a billion dollars. This represents a substantial increase, dwarfing the average budget of Spain's traditional film subsidy fund by approximately four times, as reported by Variety.
This isn't just about more money; it's a strategic revolution in how Spain supports its creative industries. For decades, government support largely came in the form of grants and loans for individual projects or tax breaks for productions shooting in Spain. SETT, however, takes a different approach, investing directly into companies with a portfolio of productions for up to ten years, demanding private sector co-investment, and focusing on long-term growth and international competitiveness. It also backs private investment vehicles, acting as a public catalyst for innovation and talent.
María González Veracruz, Spain's Secretary of State for Digitalization and Artificial Intelligence, articulated this shift, stating, "We are moving from an era of encouraging an ecosystem to consolidating a truly international audiovisual industry." This long-term, industry-wide perspective is built on three core pillars: an ecosystem-wide approach rather than project-specific funding, equity capital investment in companies or regulated vehicles, and the promotion of sustained public-private partnerships.
The investment has already touched numerous corners of Spain's audiovisual landscape. Beneficiaries include animation leaders like Anima Kitchent and Amuse Animation, new production houses such as Good Films Studios Spain and Ítaca Films Madrid, and post-production facilities like Lazona Audiovisual Hub. For example, SETT acquired a 46% stake in Good Films Studios Spain, which aims to produce competitive English-language films with international stars. Miriam Segal, head of Good Films Studios Spain, expressed her enthusiasm, noting that "to have a country with the vision to support filmmakers, independence, and creation of an industry is very exciting."
Another notable investment is in Impulse Studio, a company co-owned by SETT that offers a full chain of services from development and financing to production, international sales, and distribution. Andrés Sánchez Pajares, CEO of Impulse Studio, highlighted the competitive advantage: "When we talk with potential partners... we have the stamp of security of government backing." This government backing provides a crucial sense of security and enables companies to retain intellectual property, giving them a stronger position in global negotiations.
Beyond feature films and general production, SETT is also targeting high-growth areas like preschool animation. An investment of €9.2 million ($10.7 million), in partnership with Planeta Junior and Amuse Animation, secured distribution rights to the hit series "Milo," which has been sold in 186 territories. This move underscores a focus on leveraging technology and data analysis to create and export strong IPs.
The funding for this ambitious initiative initially came from the European Union’s Next Generation funds, part of Spain's post-COVID Recovery Plan. While those funds concluded in August, SETT's mission will continue under a new fund called "España Crece," with discussions already underway with the Spanish state bank ICO to ensure ongoing collaboration and investment in strategic technologies and sectors.
